Benjamin Dreiker & Spencer Haberman: good image, clear concept, maybe change the background to indicate that he’s a baker, could add more details (have him holding a cooking utensil, wear an apron with stains, wear an oven mitt, etc.), can’t tell that it’s a cake (add details to indicate so if necessary)
Michael Ciluffo, Dominic Gallone & Connor Zazzo: cool concept, maybe show more of the goal to indicate that it’s the goalie, nice details building the tension
Jeslin Ritz & Berkley Whaley: interesting concept but maybe show more of the bottom of the trunk to get an idea that the person’s being enclosed in it, good background setting but maybe use a male figure closing the trunk, nice angle
Megan Kiley & Stevie Ruzich: good idea combining the pictures, maybe use a different name for the contact to make it more realistic, good idea using the text to set the scene, the peephole in the middle is kind of confusing, might be stronger if the boy was facing the “peephole,” maybe use arrows or something to show the progression
Andrea Diaz & Peter Insdorf: good idea but confusing angle
Frank Calo & Tara O’Connor: nice variety of perspectives, maybe space the sides more to indicate that the top and bottom are related, interesting set of photos put together
Erin Brockman & Alex Medvedev: clear idea, great image details (hands, books, pen, drink, backpack, setting, blackboard, people, etc.), good camera angle
Micaela Figueroa & Jennifer McElroy: nice idea, maybe put people in the seats or darken it more, maybe show a little more in the second image, third image is the most visually intriguing, put both images together for the second project maybe, interesting concept for the second project, maybe crop the white out a bit and show more of the metal machine for the second project
Kofi French Cudjoe & Elizabeth Lynch: very interesting image, a little confusing conceptually
The frosting used to cover each woman's face is a different color.
Most of the people in her artwork are women.
It's ironic that in her video, "Begin," she's destroying it, so it's as if it's actually ending.
There are a lot of pieces that require a set of something.
Questions:
What is your inspiration for your artwork?
What is the significance of some doilies folded or missing from "The Offering"?
Why are the girls blowing coal and flour piles into each other's faces in "Flour and Coal"?
What is the significance of the recurring frosting in your artwork?
What is the material of the piece "Blued," and why is there a bump in it (it's not flat)?
Response:
I had no idea how much her mother side influenced her art. I didn't notice the domestic implications at first, but now I can visualize how her pieces have strong traces of femininity. I also didn't know that her and her artist friend made videos in response to each other, which I thought was extremely interesting. I've always thought about art being a way to express yourself and not a conversations of sorts. I was also really impressed that she took over 40 hours to create the frosting pieces for shows, especially since she has two kids.
The flames around the edge represent the burning cigarette, and the circular shape is used to portray the shape of a cigarette. The smoke and the placement of her lighter is used to suggest that she is smoking. The black around the edge is used to indicate the ash inside cigarettes.
There are various lines in his pieces, whether it's jagged, straight, curved, bumpy, etc.
His pieces are mainly sculptural or ceramic.
There are recurring religious images, such as Jesus or a cross.
Many of his sculptures and ceramic work involve him piecing together various items, so the proportions aren't necessarily perfect or the lines don't match up exactly.
There's a repetitious use of body parts, such as feet, hands, or faces.
Questions:
Do you make all your pieces or do you find pieces and place them together?
Where do you get the inspiration for your pieces?
Do you have a vision or theme to create a sculpture piece or do you just place them together?
How long does it take you to make a sculpture?
Do you ever make a piece with the intention to break it?
Response:
I really enjoyed hearing the symbolism behind his pictures. For instance, the green feet in a circle actually represents a wreath, and the feet were actually bear paws. I would have no way of knowing that from simply looking at the sculpture. The last artist we spoke with had heavy symbolism in relation to his life, but this artist considered the aesthetic and functional appeal in some regards, such as if it were hanging on the wall, there may be size restrictions. I thought it was particularly interesting how he said he connects to his sculptures in the way that someone might connect to something more literal. It made me think how everyone sees everything differently based on their prior knowledge and experiences and to keep that in mind when creating anything.